Reviews

โ€œThis Is The New Shitโ€ Gets a Savage Makeover from The Coursing

Connor Douglass
Apr 21, 2025
3 min read
Photo capture by The Coursing

Coursing through North Carolina, following the veins of the state into the city of Charlotte, is the New Wave Metal entity known as ๐“๐ก๐ž ๐‚๐จ๐ฎ๐ซ๐ฌ๐ข๐ง๐ . By definition, "Coursing" is the act of hunting prey by sight, and seeing these guys live, I can definitely say you feel the danger. Donning robes, body and face paint, and even masks, you would think these guys have their own cultโ€” and after this, you just may join yourself.

Releasing their latest track, a cover of "๐“๐ก๐ข๐ฌ ๐ˆ๐ฌ ๐“๐ก๐ž ๐๐ž๐ฐ ๐’๐ก๐ข๐ญ" by industrial metal icon, ๐Œ๐š๐ซ๐ข๐ฅ๐ฒ๐ง ๐Œ๐š๐ง๐ฌ๐จ๐ง, the group equips this rendition against the monotonous with an axe and face paint. Sometimes the cover gives the original a lift, these guys give it an aggressive overhaul.

Marking the band's tenth release since their 2018 formation, they are no strangers to their profession. This resurrection of the 2003 anthem off of "๐‘‡โ„Ž๐‘’ ๐บ๐‘œ๐‘™๐‘‘๐‘’๐‘› ๐ด๐‘”๐‘’ ๐‘œ๐‘“ ๐บ๐‘Ÿ๐‘œ๐‘ก๐‘’๐‘ ๐‘ž๐‘ข๐‘’" is a breath of viscous fresh air. The group already having an album under their belt, 2023's release "๐‘Š๐‘œ๐‘Ÿ๐‘กโ„Ž๐‘™๐‘’๐‘ ๐‘ ", an 8- track onslaught, it is not their first attempt at a recreation of a song. Previously releasing their own cover of ๐’๐ฅ๐ข๐ฉ๐ค๐ง๐จ๐ญ'๐ฌ "๐๐ž๐จ๐ฉ๐ฅ๐ž = ๐’๐ก๐ข๐ญ", these guys do not hide who they pay homage to, and where their roots are coming from. Noting ๐’๐ฅ๐ข๐ฉ๐ค๐ง๐จ๐ญ, ๐Š๐ข๐ง๐  ๐Ÿ–๐Ÿ๐ŸŽ, and ๐€๐Ÿ๐ญ๐ž๐ซ ๐“๐ก๐ž ๐๐ฎ๐ซ๐ข๐š๐ฅ as inspirations, The Coursing once again remind you that what they touch will be carved for everyone to see.

Photo captured by The Coursing

Vocalist and front man Dillon Sheets splays his vast ability with extreme vocals, opening the track with high-pitched screams, shifting into the infamous "dead-man" voice of melodic talking with distortion- it feels like you're being haunted by an actual entity. He then hits the chorus with a frontal assault. Hearing the chorus with these harsh vocals and layers proves that sometimes, heavier IS better. I was not a fan of the original song, but I cannot help but want to hit things and yell along to this recreation, which shows The Coursing knows what they're doingโ€” making the mind and body react.

When asked why this second cover was hand-picked, the band stated,

๐–๐ž ๐š๐ฅ๐ฐ๐š๐ฒ๐ฌ ๐ญ๐ซ๐ฒ ๐ญ๐จ ๐ฌ๐ก๐จ๐ฐ ๐š ๐๐ข๐Ÿ๐Ÿ๐ž๐ซ๐ž๐ง๐ญ ๐ฌ๐ข๐๐ž ๐จ๐Ÿ ๐ญ๐ก๐ข๐ง๐ ๐ฌ ๐š๐ง๐ ๐ฐ๐ก๐š๐ญ ๐›๐ž๐ญ๐ญ๐ž๐ซ ๐ฐ๐š๐ฒ ๐ญ๐จ ๐ ๐ข๐ฏ๐ž ๐จ๐ฎ๐ซ ๐Ÿ๐š๐ง๐ฌ ๐š ๐ง๐ž๐ฐ ๐ข๐ง๐ง๐จ๐ฏ๐š๐ญ๐ข๐ง๐  ๐ฐ๐š๐ฒ ๐ญ๐จ ๐ฅ๐ข๐ฌ๐ญ๐ž๐ง ๐ญ๐จ ๐ฌ๐จ๐ง๐ ๐ฌ ๐ญ๐ก๐š๐ญ ๐Ÿ๐ฎ๐ž๐ฅ ๐จ๐ฎ๐ซ ๐Ÿ๐ฅ๐š๐ฆ๐ž ๐š๐ฌ ๐ฐ๐ž๐ฅ๐ฅ. "๐“๐ก๐ข๐ฌ ๐ˆ๐ฌ ๐“๐ก๐ž ๐๐ž๐ฐ ๐’๐ก๐ข๐ญ" ๐ข๐ฌ ๐š ๐ฌ๐ญ๐š๐ญ๐ž๐ฆ๐ž๐ง๐ญ ๐ฌ๐จ๐ง๐ , ๐š๐ง๐ ๐ฐ๐ข๐ญ๐ก ๐ญ๐ก๐ž ๐ง๐ž๐ฐ ๐ฐ๐š๐ฏ๐ž ๐จ๐Ÿ ๐ญ๐ก๐ข๐ง๐ ๐ฌ ๐ฐ๐ž ๐›๐ซ๐ข๐ง๐  ๐ญ๐จ ๐ญ๐ก๐ž ๐ญ๐š๐›๐ฅ๐ž, ๐ฐ๐ก๐š๐ญ ๐›๐ž๐ญ๐ญ๐ž๐ซ ๐ฐ๐š๐ฒ ๐ญ๐จ ๐ฌ๐ก๐จ๐ฐ ๐ฐ๐ก๐š๐ญ ๐ฐ๐ž ๐จ๐Ÿ๐Ÿ๐ž๐ซ ๐ฐ๐ข๐ญ๐ก ๐š ๐ฌ๐จ๐ง๐  ๐ฅ๐ข๐ค๐ž ๐ญ๐ก๐š๐ญ?

Drummer Tyler Wooten does a fantastic job behind the kit, playing the intricate verses of cymbals and bass, before making the song feel like it has its own room to itself in the chorus. Tyler nails the atmosphere of this industrial anthem, he embeds himself into this call against the dull, and show's that he is anything butโ€” and he is in full control.

As a guitar player myself, I hone into the stringed instruments naturally. Guitarist Mike Malone gives what I thought the original lackedโ€” a bleeding edge. The guitar is one of the first things heard in the track, and Mike plays this thing flawlessly, with a hefty tone that gives the song a hunger for movement. Adding in his own personality with harmonies, pick scrapes, nicely touched lead effectsโ€” things not shown through in the originalโ€” Mike knows his instrument and commands it.

The production on this piece is nicely crafted. All the instruments and Dillon balance equally, and the synths and nuances provided in such industrial music is done crisply and carefully. This is very prevalent in all their past releases, where they regularly utilize synths, soft piano, and droning backgrounds to set the dark atmosphere this band has spliced itself into.

The themes of their original music, along with their two cover choices, all root back to the resistance of toxic humanity, other people you encounter who want you backed into a corner, to make you feel small, to take what you have. The Coursing shows they will not allow or stand for it, and that what they have themselves cannot be ripped from them. Their souls are theirs to own.

You can catch The Coursing on their upcoming tour with ๐†๐จ๐ซ๐ž๐ฉ๐ข๐  and ๐‘๐ž๐Ÿ๐ฅ๐ž๐œ๐ญ // ๐‘๐ž๐Ÿ๐ข๐ง๐ž, tickets:

Subscribe to our Newsletter and stay up to date!

Subscribe to our newsletter for the latest news and work updates straight to your inbox.

Oops! There was an error sending the email, please try again.

Awesome! Now check your inbox and click the link to confirm your subscription.